The Mirror with a Memory (2022)

The Ideal Past 
As someone who does not commonly look toward the future, I often find myself dreading the changes to come. In this project, The Ideal Past, I focus on my relationship to space, time, and memory through themes of loss, relationship, and change. This work explores places that are important to me such as structures, objects, and natural environments that thematically correspond with change and progression. I have a strong desire to permanently capture what exists to hold how my relationships feel in the moment. My mom captured her memories through her own artistic practice of taking pictures of our daily lives and memorializing those family memories in scrapbooking. My artistic practice is my own version of memorializing my memories and experiences, reflecting what my mom has done for our family in keeping our memories.
To create my images, I use alternative photographic methods, such as cyanotypes and Van Dyke brown. I use digital images that I have taken, and convert them into digital negatives. I paint these emulsions onto watercolor paper without precision or care to reflect the fleeting nature of ephemera. This process leaves brushstrokes and drips on the paper, which shows through when I expose the negative on the paper. This work builds on the tradition of cyanotype and its historic use of documenting botany that began with Anna Atkins. I contact print the digital negatives with parts of flowers and other natural materials to showcase the temporality of nature.
As much as my work is about my perspective it is also about being a human and experiencing the progression of life. I explore how we experience time and how reminiscing sometimes leads us to see our memories through rose-colored glasses. It is my hope that others will see my work as an alternative means to reflect on the ways in which we retain relationships, interact with our environments, and navigate the different stages of life. 
Hannah Netherwood is an emerging artist from Louisville, Kentucky. She is a BFA candidate at Bradley University. Hannah’s work centers on the ephemeral nature of photography through the use of the cyanotype process in combination with printmaking and collage. She is also interested in themes of loss, relationship, and place. Hannah began to heavily focus on photography in high school after it had such a notable impact on her childhood. Photography became important to her through its presence and definition of her relationships with her family members. Photography became Hannah’s main artistic medium because of its ability to capture and preserve a specific moment in time. Hannah’s forthcoming exhibitions include her photography capstone at the Peoria Public Downtown Library and her BFA exhibition at Hartmann Gallery at Bradley University.
To see more of her work, check out:

You may also like

Back to Top